This week has been very busy with unpacking boxes, finding things and, in most cases, NOT finding things, and doing the general housekeeping. Moving two households into one larger house is not as easy as it seems, and with my collection of comic books, statues and busts, digests and treasuries, books and other comic related ephemera, it's been a daunting task indeed. But work through it I have and the dust is finally settling, so maybe I will be able to devote more time and attention to other projects.
I decided to take an evening to myself yesterday since my back was hurting from lugging heavy book leaden boxes up and down a flight of stairs, and catch up on some of the nearly three weeks of unread comic books that have been piling up. The following, in no particular order, is my take on what I read...
(Beware of Spoilers!!!!!!)Batman Confidential - #10Michael Green (w); Denys Cowan/John Floyd (a)
"Lovers & Madmen Part Four"
The continuing origin of the Joker, I found this tale entertaining, adding layers of depth to the Clown Prince of Crime, giving him more of a backstory. The Joker is one of a relatively few characters in comics history who's origin story is shaded in so much mystery, much like Wolverine was until several years ago. I like that the Joker's story can be added to and improved upon, giving the Murderous Master of Mirth a rich tapestry from which other writers can draw. I hope this story continues to engage me. Reading stories of characters pasts always intrigues me, ever since the days of the "Justice League Casebook" stories from the 1970's.
As always, Denys Cowan's art is flawless, detailed and rich in its complexity. Floyds inks are an enhancement. Cowan should go down in comic book history alongside Neal Adams, Jim Aparo, Norm Breyfogle, Bob Kane and Marshall Rogers as one of the Batman's greatest artists.
My rating: A-
JLA Classified - #44Justin Gray (w); Rick Leonardi/Sean Philips (a)
"The Ghosts of Mars Part Three: Run, Man, Run"
Another tale that takes place in the past, this time between the disbanding of the Detroit Justice League and the reformation of the Grant Morrison Justice League. J'onn J'onzz believes that the world needs the Justice League and sets about recruiting Wally (Flash) West, while being tortured mentally by his deceased brother, Ma'alefa'ak.
I am a mad fool for anything with the Justice League and I will continue to support this title, though some of the stories have let me down, while others have been rave-worthy. This story is somewhere in the middle. While I did enjoy the Morrison JLA run, I must admit it was hit or miss. I will reserve judgment until the finish of this particular arc.
Justin Gray, with ususal writing partner Jimmy Palmiotti, is a force to be reckoned with, but alone, I feel he is weaker without the other half. Again, let's see how this turns out in the next few issues.
Rick Leonardi and Sean Philips art is okay at best, as it seems they have trouble with faces. I guess it's a good thing that the JLA was battling Starro the Conquerer, and several characters had their faces covered with tiny purple starfish. The cover is by Walt Simonson, who I would have loved to see do the interiors as well. *Sigh*
My rating: C
Justice League Unlimited - #38Matt Wayne (w); Dario Brizuela (a)
"When Bad Girls Go Good!"
Giganta has a crush on the Flash, and goes out of her way to get him to notice her! When Flash accepts a date from Linda Park in the presence of Giganta, she goes ballistic.
Taking its cue from the Justice League cartoons, we see an adolescent, emotionally immature Giganta, much like the animated version. This is the kind of continuity I like - a sort of cross-pollenating of the two mediums. All in all, this is a cute story, and a quick read. As stated above, I am a sucker for anything Justice League, so this satisfies that inner demon with a bit of sugar and honey.
My rating: B
X-Men: Die By The Sword - #1Chris Claremont (w); Juan Santacruz/Raul Fernandez (a)
"The Sword Is Drawn"
Let me state upfront: Claremont's X-Men from the 1970's with Dave Cockrum and then John Byrne & Terry Austin was comic book perfection. In the intervening years, the X-Men have been so heavily laden with alternate history versions, other earth doppelgangers, and disparate reality characters that I have a hard time keeping score - even with a scorecard!!! And this is no exception. I also think Claremont has lost his grip on the characters.
I thought the reason behind the House of M was to whittle down the enormous mutant population. In this story, we are treated to five (5) characters who are from different earths/timelines/realities etc. This is where Claremont has lost it as an X-Men scribe. Besides that, the story is not even X-Men related; it's the Exiles and Excalibur! I guess the production people at Marvel figured the book wouldn't sell if the X-Men logo wasn't on the cover. The story revolves around the British Excalibur characters, some of whom have been X-Men at one time or another. There is a reason these characters are no longer in the core X-titles...
I thought this was to be a mini-series, but there is no indication of that on the cover or in the indicia. If it is not, I will drop it faster than Skylab falling to Earth.
On the plus side, Santacruz's art is reminiscent of Alan Davis work. Because this is set in England and concerns Excalibur, perhaps that is by design.
My rating: C-
World War Hulk: Front Line - #5 (of 6)Story #1 - Paul Jenkins (w); Ramon Bachs/Shawn Martinbrough (a)
Story #2 - Paul Jenkins (w); Shawn Martinbrough (a)
Story #3 - Paul Jenkins (w); Chris Moreno (a)
Story #1 - "Embedded: Behind Enemy Lines"
I enjoy this kind of story, the kind of tale that is told from the people's perspective. I admit to liking Ben Urich and Sally Floyd. Sally reminds me a bit of Jessica Jones (from Alias and the Pulse).
Story #2 - "Costume Division: Death Of An Android"
A murder mystery in the middle of chaos. Again, a serial story I enjoyed. The resolution was interesting.
Story #3 - "The Top 10 Reasons To Hate Sally Floyd!"
Some of the items in this two page comic (meaning funny, in this case) are actually hilarious. The ones that are completely fabricated and not in continuity made me scratch my head. Footnotes abound. referring readers to the issues that some of the events occured in. while others never happened. I found myself not caring about this "humorous" parody.
The art is consistent throughout, with Martinbrough handling the inking on the first story and complete artwork on the second story.
My rating: B
Nova - #7Dan Abnett & Andy Lanning (w); Sean Chen & Scott Hanna (a; pgs. 1-5, 12, 16-22); Brian Denham (a; pgs. 6-11, 13-15)
"Out"
Part of the Annihilation saga/series, this issue deals with Richard Ryder exorcising his body and mind of an alien virus with Gamora and Drax the Destroyer hot on his tail.
I admit to liking the Nova character, having read his original series back in the 1970's. This series is pretty decent but I would like to see Nova interacting more with the Earthbound Marvel Universe on occasion. Since he is deeply embroiled in the Annihilation storyline, I expect we will see those characters crossing over as the series continues...
The art is consistent throughout, even with two different artists handling the pencils. Until I re-read the credits, I had no idea there were multiple art teams. Go figure...
My rating: B+
New Warriors - #5Kevin Grevioux (w); Paco Medina/Juan Vlasco (a)
"Defiant Part Five"
I never read the original New Warriors series, so I thought I would try this new book. I have been impressed with the action, and the return of the Zodiac in this issue was a major plus for me. This series is firmly grounded in the current Marvel universe, yet, the cover has an "Initiative" banner across the top. Seems to me, Marvel has so many crossover stories going that the only way to tell one from the other is by their cover banner.
Medina and Vlasco's art is superb, but is mired by poor coloring in many places. It became difficult to tell the good guys from the bad guys and not for lack of trying. I think the coloring was muddy and dark. I hate when colorists feel the need to make battle scenes seem "dusty" and "bloody" in color.
My rating: B-
Heroes For Hire - #14Zeb Wells (w); Alvin Lee & Clay Mann/Terry Pallot (a)
"Procreation"
Since Justin Gray and Jimmy Palmiotti left this book, it's been struggling to find its voice again. The current storyline, set in the World War Hulk fracas (again, with its own cover banner) has not been bad, just not too great. Something of note: Moonboy (from the old Devil Dinosaur series), suddenly apppears out of thin air, though he has been part of the ongoing storyline for some time! Though the story moves along steadily, it seems Wells has no idea where he really wants to go, and is rambling through, hoping to find a conclusion that sticks. I could be wrong...
I do applaud the inclusion of the Paladin character. Wells has made him into quite the untrustworthy son of a bitch. Hopefully, once this storyline wraps, things will really take off.
Marvel Comics editors please note: While a crossover is okay once in a while, STOP requiring EVERY title you publish to continue promoting the storylines of these crossovers/events. Let the titles/characters stand on their own, and if they can't - cancel them! Stop using your second tier titles to advance your first-stringer stories. 'Nuff said!
Artwise, it's pretty consistent, although it seemed a bit manga-esque in some parts, especially with the female faces and hairstyles.
My rating: B
New Avengers - #35Brian Michael Bendis (w); Leinil Wu (a)
"The Trust Part Four"
I loved this issue, with its focus on the villains and their machinations. It was nice to see Tigra again, but her beating at the hands of the Hood was a bit overdone. I guess it makes sense to advance the villains' purpose and give a sense of danger and horror.
Bendis rocks as a writer, and I thoroughly enjoy his work, here and on other titles (especially Ultimate Spider-Man). However, it seems there are many dangling plotlines that get left by the wayside, as others come to the fore of the story. I would like to see some of the dangler's wrapped up before moving on, or I will feel like I am reading a superhero version of the TV show "
Lost" which has forsaken its viewers by continuing to ignore established subplots by letting them fade and not answering any questions, while continuing to throw more crap at the screen.
Wu's artwork is scratchy and muddy. I had a difficult time making out the different villains assembled. Many of them I could not recognize at all. Perhaps Wu needs a model sheet...?
My rating: A-
Wonder Girl - #2 (of 6)J. Torres (w); Sanford Greene/Nathan Massengill (a)
"Champion Part Two: Hercules Unbound"
I like Cassie Sandsmark in the Titans series, but really have no idea what makes her so special to warrant her own mini-series. I would have rather seen a Kid Devil comic, since I thing that character has a great deal of potential, and I think he's hot (pun intended). Anyway, Cassie and her half-brother, Hercules, argue and bicker throughout this issue, and it became quite annoying, since they both kept iterating the same things several times. Giving some backstory on Herc was nice, though.
This series must be geared toward the younger female reader, with its familial dysfunction and bickering siblings. Most teenagers thrive on this kind of "drama." The artwork is cartoony, and I wish Hercules had been drawn more masculinely (is that a word?). The cameo of the Female Furies, always favorites of mine, at the end of the story is a highlight to an otherwise fluffy piece of comic book storytelling.
My rating: C
Suicide Squad: Raise The Flag - #2 (of 8)John Ostrander (w); Javi Pina/Robin Riggs (a)
"Weapons"
If DC does not give John Ostrander an ongoing Suicide Squad book, then that is proof there is no God! Of all the series Ostrander has written, the Squad is my all-time favorite. And here, he proves that, even after several years, he still has it. I love, love, love this book! It is one that I will shift to the top of my "to read" pile. Ostrander's grasp on the characters he made famous back in the day is still as tight as ever. The story is compelling and his flashbacks are necessary instead of forced. Finally, in this issue, we get some information/backstory on Rustam, the Rick Flag of Iran. Amanda Waller is her usual bitch-self, and the political intrigue concerning General Eiling is what Ostrander is know for.
Javi Pina and Robin Riggs need a monthly book of their own. Their work is clean and sharp, with detail and nuance. The coloring by Jason Wright is spot-on. Both Rick Flag and Rustam are gorgeously drawn men, with nice physiques and muscular builds, just the way I like them. The jungle scenes are lush and tropical, and the coloring is exquisite.
This is a must read book!
My rating: A+++
Black Adam: The Dark Age - #3 (of 6)Peter J. Tomasi (w); Doug Mahnke/Christian Alamy & Rodney Ramos (a)
"Fight Or Flight" (title taken from cover)
Black Adam is on a quest to resurrect his beloved Isis, with the aid of Felix Faust. Now Adam must find fragments of Isis' amulet, leading him to St. Roch, Louisiana, and a confrontation with Hawkman. They battle, with Adam dispatching Hawkman in a matter of panels. Meanwhile, the JLA and JSA have gathered together to take Adam down.
A slow moving series, this 52 spinoff is proceeding apace, since it has to fill a certain amount of issues. I will wait and see how this all turns out...
Never been an admirer of Mahnke's art; never really cared. Here, it seems overdone. Could also be the dark colors. Again, I will wait and see...
My rating: B-
That's my take on several issues that I have finally had a chance to catch up on. Your results may vary.
Until the next stack...